On Sunday I put on the fiftieth birthday outfit only with comfier (but not quite comfy enough) boots, and headed down to agra. I ran into DJ Wrain Havoc from Seattle's own Mercury! She's been to WGT any number of times, and when she goes, she goes hard: three days into the festival, she'd slept maybe six hours. I told her that at my age, I just couldn't do that. Even if I could, I think it would detract from the total experience for me.
Wrain Havoc bought me some local absinthe with some of her last cash euros*. It tasted for all the world like Scope mouthwash. I'm positive it wasn't Scope because I watched the preparation, with sugar cube, right there. But that was probably the most astounding food or drink experience of the entire trip. Being an ethnic WASP, I drank the Scope and carried on.
Wrain Havoc was there to see Los Angeles band Diva Destruction, an artist who'd come off several years' hiatus. It was old school goth — not generally my bag — but what struck me about them was that their front woman sounded a lot like Anisa Romero of Seattle psychedelic band Sky Cries Mary from the '90s. I'm a big SCM fan to this day, so it was a surprise nostalgia trip for me.
Wrain Havoc bailed to see an artist elsewhere, leaving me alone for UK band Editors. They... were good, but they didn't grab me as much as I expected them to. I'm tempted to say that if U2 went dark, it would be something like Editors. That may be less charitable than they deserve, but that's what I was thinking.
Monday's outfit was Action Goth: tartan leggings, black top, black patent Docs. The only band I had listed as a must-see was Kirlian Camera. I showed up a band early for them, expecting to see Vive La Fête. But no, there was a substitution called Welle: Erdball ("Wave: Globe"). Not only are they German; they may be the most wholesomely German band active today.
They set up five vertical screens a little taller than a person. For the first song they played keyboards projected onto the screens. The two men were wearing black suits and black leather gloves. The two women were in little peach dresses that they removed partway through the show to reveal sparkly underwear. There were synchronized dance moves. People — just the women? — on turntables. Giant ballons and paper airplanes thrown into the audience, which was singing along. Inflatable angel wings; a stage hand carried the inflator in and we all watched the wings expand for several seconds.
What do they sound like? Synthpop. Cheezy synthpop. This band has been around for about thirty years, and they are clearly beloved in their native Germany. Their live show is 10km over the top, and probably impossible to translate into English. This was Germans not taking themselves seriously and having fun, and it was a beautiful thing: Eurovision, only longer and more substantial. I've bought an LP of theirs, natch.
I walked out of there thinking, 'What have I just seen?!' According to Zuck's data mine, several of my friends have been into them for years and I'm just the last to know as ever.
I saw the first third or so of Italian band Kirlian Camera. The goth bombast was well done, but that kind of thing is is much more
cupcake_goth's thing than mine. I quit while I was ahead. Thanks, WGT, for surprising me.
*Mental note: go to her night and buy her a damn drink sometime. Yeah, it's a weeknight, but come on.