poll: Daft Punk fangirling
Mar. 1st, 2021 10:17 amWe'll all heard by now that Daft Punk has, sadly, called it quits after 28 years.
My take? Random Access Memories is Daft Punk doing disco with the OG musicians. Lovely, but a bit slavish. Human After All was Daft Punk doing butt rock. Not my bag. That leaves the first two, and the one that's most exuberantly, confidently, extravagantly them is, in this critic's estimation, Discovery. I've heard the complaint from one gay man that this album is way too popular among gay men, but you know what? It's deservedly so.
Poll #25350 Robot Love
Open to: Registered Users, detailed results viewable to: All, participants: 3
Which is your favorite Daft Punk studio album?
View Answers
Homework
0 (0.0%)
Discovery
2 (66.7%)
Human After All
0 (0.0%)
Random Access Memories
0 (0.0%)
I hate Daft Punk and am therefore an enemy of joy.
0 (0.0%)
Who are those masked men?
1 (33.3%)
My take? Random Access Memories is Daft Punk doing disco with the OG musicians. Lovely, but a bit slavish. Human After All was Daft Punk doing butt rock. Not my bag. That leaves the first two, and the one that's most exuberantly, confidently, extravagantly them is, in this critic's estimation, Discovery. I've heard the complaint from one gay man that this album is way too popular among gay men, but you know what? It's deservedly so.
in praise of Ishkur
Dec. 25th, 2020 11:57 amI apparently have never written about Ishkur here, and that's a shameful oversight. Who is Ishkur, you ask? Some wise guy up in Vancouver who, if memory serves, is a writer and/or comedian. He's a raver from way back. His real claim to fame, though, is his Guide to Electronic Music, now in its third incarnation. Warning: this site is a time sink! A rabbit hole! You will groove away the hours! It's beautifully done, and chock full of fabulous audio goodness. I miss the commentary from the v2 site, though.
In addition to the guide, though, he's put a lot of mixes on Mixcloud, typically two hours each, that each illustrate one of the absurdly many genres of electronic music. I've come back to them repeatedly over the course of the pandemic. Totally worth a listen, in my opinion. My most recent fave? "Secret Squirrel".
I've never met the man, but
xaotica, who's also a raver from way back, knows him. That gives me reason to believe he's not a psycho killer.
xaotica, by the way, founded the NWTekno bulletin board site, which is where I found out about my first local techno events.
In addition to the guide, though, he's put a lot of mixes on Mixcloud, typically two hours each, that each illustrate one of the absurdly many genres of electronic music. I've come back to them repeatedly over the course of the pandemic. Totally worth a listen, in my opinion. My most recent fave? "Secret Squirrel".
I've never met the man, but
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So far so meh.
Jun. 27th, 2020 02:54 pmBest quote from my son's birthday dinner with my ex on her porch: "I have twenty months to quadruple my income." Well, Ex, I sincerely hope you succeed. I did not mention, however, that surely I will have helped her pay down her $100K mortgage - so small because she kept our former house in the divorce settlement - over six years of $48K in annual alimony payments.
The best part of dinner was the ice cream afterward. The Wendling insisted on cookies & cream, which I love, and which Ex hates. Nyeh heh heh heh!
Shallow Fashion Details: black sleeveless New Look-inspired dress from Pinup Girl with a rose & spider web print; petticoat, of cours; black leather fedora; black Rohesia belt and Truth Alison shoes, both from Fluevog; silver jewelry. 'Nuther words, I dressed to at least maim my ex.
Last night would have been the Trans Pride< march & rally were it not for COVID-FUCKING-19. I help staff the Lambert House table at these events, but since there's no event, everything was moved online. I was there with B, the Lambert House volunteer manager, mostly shooting the breeze. In two hours we talked to all of one person for about twenty minutes. Le sigh. It was sad, but I can say we did our best.
Funny Lady, I've learned, doesn't like doing video calls, which is one reason why she wanted to do a social distance picnic in her back yard. (The other reason is that she wants to show of her newly acquired breadmaking skills.) Well, the climate that Seattle is notorious for put the kibosh on that. I've mentioned here before how hard FL is to schedule. It may take us another three months to try again.
All I can say is that the Tickler better not bail on me this evening. More Shallow Fashion Details: my black & white checker bodycon dress from Pride Eve of two years ago. Yes, I went on a date with her that night, but I'm pretty sure she's OK with that. Fluevog Francesca boots because it's not warm. Pride rainbow accessories, including the necklace she gave me.
Oh, speaking of Pride: have a bunch of mixes from queer DJs on KEXP. Must... not... make a joke about 1000 homo DJs!
The best part of dinner was the ice cream afterward. The Wendling insisted on cookies & cream, which I love, and which Ex hates. Nyeh heh heh heh!
Shallow Fashion Details: black sleeveless New Look-inspired dress from Pinup Girl with a rose & spider web print; petticoat, of cours; black leather fedora; black Rohesia belt and Truth Alison shoes, both from Fluevog; silver jewelry. 'Nuther words, I dressed to at least maim my ex.
Last night would have been the Trans Pride< march & rally were it not for COVID-FUCKING-19. I help staff the Lambert House table at these events, but since there's no event, everything was moved online. I was there with B, the Lambert House volunteer manager, mostly shooting the breeze. In two hours we talked to all of one person for about twenty minutes. Le sigh. It was sad, but I can say we did our best.
Funny Lady, I've learned, doesn't like doing video calls, which is one reason why she wanted to do a social distance picnic in her back yard. (The other reason is that she wants to show of her newly acquired breadmaking skills.) Well, the climate that Seattle is notorious for put the kibosh on that. I've mentioned here before how hard FL is to schedule. It may take us another three months to try again.
All I can say is that the Tickler better not bail on me this evening. More Shallow Fashion Details: my black & white checker bodycon dress from Pride Eve of two years ago. Yes, I went on a date with her that night, but I'm pretty sure she's OK with that. Fluevog Francesca boots because it's not warm. Pride rainbow accessories, including the necklace she gave me.
Oh, speaking of Pride: have a bunch of mixes from queer DJs on KEXP. Must... not... make a joke about 1000 homo DJs!
peregrinations in a plague zone
Mar. 9th, 2020 12:52 pmI had a zappy appointment that I made six weeks or so ago. Since Ms. Zappy's office is quite a ways south of where I live and my son usually has my car, that meant taking two buses and a train, the last of which involves changing trains in the middle due to construction. I must say, my trip was a lot zippier than I planned for. Maybe it was an ordinary Sunday afternoon crowd, or rather lack thereof, but I had unusually good luck connecting between transportation modes.
Dinner last night with Ex's friend P, whom I hadn't seen in ages. Much chat about divorce - she's in the middle of her second - and my son. She has no kids, thank goodness.
While I was killing time before P's I hit Easy Street records and got Ray Of Light, Madonna's kinda rave album. About half of it is isn't bad. I like they ravey half, of course. Why am I even typing this? Because Madonna occupies a special place in my head: being a homosexual in good standing, I've felt the pressure to like Madonna's work. I'm old enough, however, to remember her saturation media bombing campaigns of the '80s and '90s, and I still haven't forgiven her for them. I never bought, begged, borrowed, or stole any item of Madonna merchandise before, and I'm glad I paid $4 for the album, used, natch.
To hell with DST. I went to bed at a reasonable hour last night and woke up at an unreasonable one.
Dinner last night with Ex's friend P, whom I hadn't seen in ages. Much chat about divorce - she's in the middle of her second - and my son. She has no kids, thank goodness.
While I was killing time before P's I hit Easy Street records and got Ray Of Light, Madonna's kinda rave album. About half of it is isn't bad. I like they ravey half, of course. Why am I even typing this? Because Madonna occupies a special place in my head: being a homosexual in good standing, I've felt the pressure to like Madonna's work. I'm old enough, however, to remember her saturation media bombing campaigns of the '80s and '90s, and I still haven't forgiven her for them. I never bought, begged, borrowed, or stole any item of Madonna merchandise before, and I'm glad I paid $4 for the album, used, natch.
To hell with DST. I went to bed at a reasonable hour last night and woke up at an unreasonable one.
Nun surfaces.
Sep. 16th, 2019 12:23 pmMellow weekend.
Went to the Mariners game on Friday night for mandatory company fun. Not bad, but too many carbs.
Went to an ElderGoth Rivethead birthday party on Saturday wearing the Sydney outfit and the miraculously matching hat that I picked up at the sale a couple of months ago. Too warm in the basement? Too bad.
I ♥ Michael Chabon. I'm most of the way through his memoir that's mostly about his grandfather, Moonglow
Mom didn't answer her phone for a few days, but Good Sister got her this morning.
Confession: I love the Cars. Their eponymous album was one of the first my Evil Sister bought. Why do I bring this up? Their front man Ric Ocasek died yesterday. They were without a doubt one of the bright spots of my tweens & early teens.
Went to the Mariners game on Friday night for mandatory company fun. Not bad, but too many carbs.
Went to an Elder
I ♥ Michael Chabon. I'm most of the way through his memoir that's mostly about his grandfather, Moonglow
Mom didn't answer her phone for a few days, but Good Sister got her this morning.
Confession: I love the Cars. Their eponymous album was one of the first my Evil Sister bought. Why do I bring this up? Their front man Ric Ocasek died yesterday. They were without a doubt one of the bright spots of my tweens & early teens.
Nun gets some culchah.
Aug. 22nd, 2019 12:51 pmI've been feeling I should write something, but I don't have much for you. How about Frivolous Cultural Stuff?
Novelist Nick Harkaway is best when he doesn't take things too seriously. That's a yes on The Gone Away World and Angelmaker, and a reluctant no on Gnomon. That last is a hard sci-fi tome, which is ordinarily the kind of thing I love, but it was somehow too much twisty plot and too predictable at the same time. I'll give Gnomon points for topicality, though.
The long-awaited version 3.0 of Ishkur's Guide to Electronic Music is here! Read the opinionated, wise guy text. Groove to the hundreds of minutely categorized tracks. Listen to his extended mixes on Mixcloud! This is a labor of love that was ten years in the making, and it's worth blowing several hours on.
I discovered a mix on Mixcloud that I may have heard live in person at Pink Mammoth at )'( last year. Pink Mammoth is one of my favorite places to dance during the day. Do I feel any playa homesickness? Maybe just a tiny twinge, but not nearly as bad as '17. In recent weeks I've come up with a diabolical playa plan that I actually have the skills to accomplish. I should discuss it with
gfish and/or Barnaby Hoit.
This coming weekend: zappy, which was delayed by poor Ms. Zappy's detached retina, a BBQ, and possibly SAAND at the Monkey Loft.
Novelist Nick Harkaway is best when he doesn't take things too seriously. That's a yes on The Gone Away World and Angelmaker, and a reluctant no on Gnomon. That last is a hard sci-fi tome, which is ordinarily the kind of thing I love, but it was somehow too much twisty plot and too predictable at the same time. I'll give Gnomon points for topicality, though.
The long-awaited version 3.0 of Ishkur's Guide to Electronic Music is here! Read the opinionated, wise guy text. Groove to the hundreds of minutely categorized tracks. Listen to his extended mixes on Mixcloud! This is a labor of love that was ten years in the making, and it's worth blowing several hours on.
I discovered a mix on Mixcloud that I may have heard live in person at Pink Mammoth at )'( last year. Pink Mammoth is one of my favorite places to dance during the day. Do I feel any playa homesickness? Maybe just a tiny twinge, but not nearly as bad as '17. In recent weeks I've come up with a diabolical playa plan that I actually have the skills to accomplish. I should discuss it with
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This coming weekend: zappy, which was delayed by poor Ms. Zappy's detached retina, a BBQ, and possibly SAAND at the Monkey Loft.
Nun rocks.
Aug. 19th, 2019 10:31 amI saw King Gizzard And the Lizard Wizard at the Paramount last night with the Proprietress. It was... good, but not what I was expecting.
By the way, the Carlile Room - no S - is excellent for pre-show munchies & cocktails. It's catty-corner from the Paramount.
But on to the show! Judging from what I have of King Gizzard, I was expecting a pop-punk show. What I got was a metal show: shifting time signatures with a lot of 5/4, 7/4, and 6/8. I recognized one song in the entire set: "Planet B". I could easily imagine
cupcake_goth digging it, at least in her younger days. Maybe
bork, but this is psychedelic metal. King Gizzard is one tight band, which is no mean feat when you've got seven men on stage including two drummers.
On the way to the bus afterward I overheard someone saying that this show was completely different from the one they've heard in Portland not long ago; maybe they decided to go full metal because Seattle. I have to respect a band that can do that, but to tell you the truth I'd rather they hadn't, even if they are truly impressive performers.
Yes, I went to a show on a school night. Yes, I'm starting to feel it now. Oy.
Shallow fashion details: yours truly in a black short sleeve knit top, hot pink sparkly skater skirt from Coquetry, hot pink fence net hose, Fluevog Seventh Heaven Zachary stompy black boots, MAC lipstick to go with the skirt & hose; the Prope in her tallest platforms, leopard print flare pants, a crop top (Yay exposed Prope!) and a back leather jacket. She actually wore lipstick, which I don't think I've seen her do before. I'd say we were dressed just right for that show.
By the way, the Carlile Room - no S - is excellent for pre-show munchies & cocktails. It's catty-corner from the Paramount.
But on to the show! Judging from what I have of King Gizzard, I was expecting a pop-punk show. What I got was a metal show: shifting time signatures with a lot of 5/4, 7/4, and 6/8. I recognized one song in the entire set: "Planet B". I could easily imagine
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On the way to the bus afterward I overheard someone saying that this show was completely different from the one they've heard in Portland not long ago; maybe they decided to go full metal because Seattle. I have to respect a band that can do that, but to tell you the truth I'd rather they hadn't, even if they are truly impressive performers.
Yes, I went to a show on a school night. Yes, I'm starting to feel it now. Oy.
Shallow fashion details: yours truly in a black short sleeve knit top, hot pink sparkly skater skirt from Coquetry, hot pink fence net hose, Fluevog Seventh Heaven Zachary stompy black boots, MAC lipstick to go with the skirt & hose; the Prope in her tallest platforms, leopard print flare pants, a crop top (Yay exposed Prope!) and a back leather jacket. She actually wore lipstick, which I don't think I've seen her do before. I'd say we were dressed just right for that show.
Nun & Tickler do Portland!
Jan. 13th, 2019 08:20 pmIt's been longer than usual since I last posted, but it's for a happy reason: the Tickler and I went to Portland as the festivities for my birthday, observed. The main event: Paul Oakenfold's show, which I'll get to below. But first things first.
I picked up the Tickler at her new place on the outskirts of Olympia. Naturally enough, it's a big house for one person, but she says it doesn't make a good party pad because it's on septic, not the sewer system. It's nice and quiet, though.
We stayed at the Jupiter Hotel, which I picked for its proximity to the show. I'd walked past it a time or two on other trips to Portland (a Vampire Ball or two?) so I knew it was a hipster joint. Yeah, you could say the whole city is a hipster joint and not be wrong, but it's particularly obvious at the Jupiter: apparently it was once what the Tickler called a "no-tell motel" that's been renovated and then some. There was a bright, mind-melting mural on one wall of our room, and there were weed-related amenities available. (The Tickler brought edibles, which I must say made the mural even more interesting.) They provide ear plugs, which the Tickler desperately wanted for the show, but she could have used them to sleep: the Douglas Fir, which is a live music venue, is right next door, and the hotel itself has thin walls and young, loud, hipster guests. I'd go there again, but as a tourist, not for business.
Portland is a better restaurant town than it has any right to be, so after I took a badly needed nap - I'd been awake since 0415 - and extensive discussion, the Tickler took me to Teote, a South American (read: Venezuelan) place. It's not the fanciest joint: they give you numbers. But they have a huge patio, lots of Latin American customers, excellent people watching - "queerdos", said the Tickler - and mighty fine penil served in Fiesta ware. I've discovered that I could eat their arepas until I pop.
The show itself? I have to tell you, I might have liked it better if I'd gotten more sleep beforehand. However, Oakenfold delivered the trance both old and new, as did his immediate opener, Portlander Jamie Meushaw. The Tickler is a lot less reticent than I am about shoving her way to the front and center of a crowded club floor. Hello, trans-related insecurity! We also had fun doing raver culture bingo: the dragon onesie, fluffies, a fake fur vest, a kilt, etc. But there was also the über-gay rhinestone cowboy; the short, sequined dresses; and the geriatric ravers even older than I am.
The club, 45 East, is a professional joint with good sound and lasers in the middle of a still-light-industrial part of town by the Willamette. Walking there was a little tricky because of a) an overpass where we didn't expect it and b) the tents of the homeless occupying the whole width of the sidewalk. The Tickler figured Oakie could have filled a bigger hall, and I think she's right. There wasn't room to dance at 45 East except for upstairs, which was noteworthy for its long benches against one wall that faithfully transmitted vibrations from the subwoofers to our nether regions. Ahem.
We stayed until the house lights went up, then took a Lyft to a concentration of the food trucks for which Portland is famous at SE 12th & Hawthorne. I had what I must admit was a mighty fine felafel; the Tickler, who's spent a fair amount of time in the Middle East, said it was properly green on the inside and remarked on the quality of the pita. You see what Portland is like? So yeah, we nommed outdoors at 0300; the gas fires couldn't ward off the chilly wind but the big tent they had could. We went back to the Jupiter and slept the sleep of the just.
Brunch today? The Tickler thought she'd been to Tasty 'N Sons, which a cow orker of mine had also recommended, but when we got there she realized she hadn't. No matter: it's fan-damn-tastic. Definitely worth the half-hour wait, which we put to good use by consuming some lovely cocktails. (Mine was necessarily coffee-based.) I had the chicken-fried pork with venison gravy, and I say with the authority of a child of the South that their biscuits were right on. So was the kim chi I ordered on the side.
Yeah, we went to Powell's City of Books because we were in Portland. What kind of Philistines do you take us for? Books I bought: 3. Books the Tickler bought: ≥ 12. Dropped off the Tickler, swatted her kinky kitty. Came home. Gonna collapse now.
I picked up the Tickler at her new place on the outskirts of Olympia. Naturally enough, it's a big house for one person, but she says it doesn't make a good party pad because it's on septic, not the sewer system. It's nice and quiet, though.
We stayed at the Jupiter Hotel, which I picked for its proximity to the show. I'd walked past it a time or two on other trips to Portland (a Vampire Ball or two?) so I knew it was a hipster joint. Yeah, you could say the whole city is a hipster joint and not be wrong, but it's particularly obvious at the Jupiter: apparently it was once what the Tickler called a "no-tell motel" that's been renovated and then some. There was a bright, mind-melting mural on one wall of our room, and there were weed-related amenities available. (The Tickler brought edibles, which I must say made the mural even more interesting.) They provide ear plugs, which the Tickler desperately wanted for the show, but she could have used them to sleep: the Douglas Fir, which is a live music venue, is right next door, and the hotel itself has thin walls and young, loud, hipster guests. I'd go there again, but as a tourist, not for business.
Portland is a better restaurant town than it has any right to be, so after I took a badly needed nap - I'd been awake since 0415 - and extensive discussion, the Tickler took me to Teote, a South American (read: Venezuelan) place. It's not the fanciest joint: they give you numbers. But they have a huge patio, lots of Latin American customers, excellent people watching - "queerdos", said the Tickler - and mighty fine penil served in Fiesta ware. I've discovered that I could eat their arepas until I pop.
The show itself? I have to tell you, I might have liked it better if I'd gotten more sleep beforehand. However, Oakenfold delivered the trance both old and new, as did his immediate opener, Portlander Jamie Meushaw. The Tickler is a lot less reticent than I am about shoving her way to the front and center of a crowded club floor. Hello, trans-related insecurity! We also had fun doing raver culture bingo: the dragon onesie, fluffies, a fake fur vest, a kilt, etc. But there was also the über-gay rhinestone cowboy; the short, sequined dresses; and the geriatric ravers even older than I am.
The club, 45 East, is a professional joint with good sound and lasers in the middle of a still-light-industrial part of town by the Willamette. Walking there was a little tricky because of a) an overpass where we didn't expect it and b) the tents of the homeless occupying the whole width of the sidewalk. The Tickler figured Oakie could have filled a bigger hall, and I think she's right. There wasn't room to dance at 45 East except for upstairs, which was noteworthy for its long benches against one wall that faithfully transmitted vibrations from the subwoofers to our nether regions. Ahem.
We stayed until the house lights went up, then took a Lyft to a concentration of the food trucks for which Portland is famous at SE 12th & Hawthorne. I had what I must admit was a mighty fine felafel; the Tickler, who's spent a fair amount of time in the Middle East, said it was properly green on the inside and remarked on the quality of the pita. You see what Portland is like? So yeah, we nommed outdoors at 0300; the gas fires couldn't ward off the chilly wind but the big tent they had could. We went back to the Jupiter and slept the sleep of the just.
Brunch today? The Tickler thought she'd been to Tasty 'N Sons, which a cow orker of mine had also recommended, but when we got there she realized she hadn't. No matter: it's fan-damn-tastic. Definitely worth the half-hour wait, which we put to good use by consuming some lovely cocktails. (Mine was necessarily coffee-based.) I had the chicken-fried pork with venison gravy, and I say with the authority of a child of the South that their biscuits were right on. So was the kim chi I ordered on the side.
Yeah, we went to Powell's City of Books because we were in Portland. What kind of Philistines do you take us for? Books I bought: 3. Books the Tickler bought: ≥ 12. Dropped off the Tickler, swatted her kinky kitty. Came home. Gonna collapse now.
Nun does the Upstream festival.
Jun. 3rd, 2018 11:12 amI hit the Upstream music festival in Pioneer square yesterday evening. Sadly, the ailing Tickler couldn't join me as planned, but I still had a pretty good time. Here's what I saw, in chronological order:
Tacocat - I've probably heard these local heroes briefly on KEXP, but I mustered up a mild desire to go see them live. This was the highlight of the festival for me. Three out of this quartet are women, including the front woman. They have songs like "Men Explain Things To Me", "Hey Girl", and "I Hate the Weekend". It's impressively tight, feminist pop-punk. I loved it, and I'm going to buy it sooner or later.
Zola Jesus - I've heard enough Zola Jesus to know that she really isn't my cup of tea. But I was eating expensive ramen on the grass, so listen I did. Ethereally Goth and high-class emo to the max, I know at least some of my friends would be all about her. As a vocal talent, though, I think the front woman of Tacocat (looks it up: Emily Nokes) compares favorably.
Both Tacocat and Zola Jesus talked from the stage about the out-of-control housing prices in Seattle, and how they're screwing artists in particular. ZJ said she moved to Wisconsin (?!) because of it.
Ended up seeing reggae performed by Africans for a few minutes. Not my thing. Walked out, overheard a dude with an African accent saying loudly into his phone, "Seattle is the worst! Seattle is shit!" I have all the feels about this, especially in light of the previous paragraph.
Strawberry Mountain - More local folks. They remind me of the Young Fresh Fellows, only with less goof and more surf and synth. They packed six musicians with amps onto a tiny stage in a small indoor venue. Worth another listen, for sure.
Slow Corpse - Funk-influenced mellow from Ashland, OR (?!) as I had tasty beer & eats at the Elysian. A bit too easy-listening for me, but I have to give them credit for putting together a band that sounds that good in Ashland.
There was to be ravey goodness later that night in a basement club called the Stage, underneath the sadly and recently closed Nightjar. Overpowering bass in a basement convinced me to bail relatively early, at 2230 or so, before Pezzner got on the decks. I went home and slept for eight hours, so I think I chose wisely.
Tacocat - I've probably heard these local heroes briefly on KEXP, but I mustered up a mild desire to go see them live. This was the highlight of the festival for me. Three out of this quartet are women, including the front woman. They have songs like "Men Explain Things To Me", "Hey Girl", and "I Hate the Weekend". It's impressively tight, feminist pop-punk. I loved it, and I'm going to buy it sooner or later.
Zola Jesus - I've heard enough Zola Jesus to know that she really isn't my cup of tea. But I was eating expensive ramen on the grass, so listen I did. Ethereally Goth and high-class emo to the max, I know at least some of my friends would be all about her. As a vocal talent, though, I think the front woman of Tacocat (looks it up: Emily Nokes) compares favorably.
Both Tacocat and Zola Jesus talked from the stage about the out-of-control housing prices in Seattle, and how they're screwing artists in particular. ZJ said she moved to Wisconsin (?!) because of it.
Ended up seeing reggae performed by Africans for a few minutes. Not my thing. Walked out, overheard a dude with an African accent saying loudly into his phone, "Seattle is the worst! Seattle is shit!" I have all the feels about this, especially in light of the previous paragraph.
Strawberry Mountain - More local folks. They remind me of the Young Fresh Fellows, only with less goof and more surf and synth. They packed six musicians with amps onto a tiny stage in a small indoor venue. Worth another listen, for sure.
Slow Corpse - Funk-influenced mellow from Ashland, OR (?!) as I had tasty beer & eats at the Elysian. A bit too easy-listening for me, but I have to give them credit for putting together a band that sounds that good in Ashland.
There was to be ravey goodness later that night in a basement club called the Stage, underneath the sadly and recently closed Nightjar. Overpowering bass in a basement convinced me to bail relatively early, at 2230 or so, before Pezzner got on the decks. I went home and slept for eight hours, so I think I chose wisely.
of Montreal rocks nun's world!
May. 2nd, 2018 10:55 amI made it to the of Montreal* show at Neumo's, which is the perfect venue for that band and my favorite overall. They. Rocked. My. World! Old school. Front man Kevin Barnes has clearly been sacrificing fatted calves on the altar of David Bowie.
But first, naturually, the opening band, Locate S,1. This band has some serious technical chops and a whole lot of mostly eighties influences; they put me in mind of Elvis Costello, Genesis, Natalie Merchant, the Buzzcocks, and jazz. It makes them an excellent choice to open for of Montreal, and probably a band to watch. I only wish that the acoustics upstairs hadn't played havoc with the lyrics. (My feet were bugging me and I was low on sleep, so I mostly stayed up there.)
I'd never been to an of Montreal show, and I've since found out that what I saw was pretty typical for them, but not anyone else: giant puppets, mummers, furries, dancers in zentai suits (despite Neumo's stage being not that big), Isis wings, and Kevin Barnes prancing and dancing in '80s inspired drag, including sparkly red heels, complete with frequent costume changes. This was glam rock, dammit, with tighter-than-tight instrumentals & vocals. I'm so buying their newalbum EP, but I was happy to hear selections from Skeletal Lamping - my fave LP to date - and Hissing Fauna, Are You The Destroyer?. There was some intense, non-stop energy on stage and in the room. Barnes was quite good at working the crowd, which was delightfully fruity as well.
Highly recommended. I left a little before the end because of my physical state, and I'm deeply ambivalent about doing so. This was magic, what rock gigs are supposed to be.
*No, the first word in their name is not capitalized.
**Yes, the comma is part of the name. Damn hipsters and their typography.
But first, naturually, the opening band, Locate S,1. This band has some serious technical chops and a whole lot of mostly eighties influences; they put me in mind of Elvis Costello, Genesis, Natalie Merchant, the Buzzcocks, and jazz. It makes them an excellent choice to open for of Montreal, and probably a band to watch. I only wish that the acoustics upstairs hadn't played havoc with the lyrics. (My feet were bugging me and I was low on sleep, so I mostly stayed up there.)
I'd never been to an of Montreal show, and I've since found out that what I saw was pretty typical for them, but not anyone else: giant puppets, mummers, furries, dancers in zentai suits (despite Neumo's stage being not that big), Isis wings, and Kevin Barnes prancing and dancing in '80s inspired drag, including sparkly red heels, complete with frequent costume changes. This was glam rock, dammit, with tighter-than-tight instrumentals & vocals. I'm so buying their new
Highly recommended. I left a little before the end because of my physical state, and I'm deeply ambivalent about doing so. This was magic, what rock gigs are supposed to be.
*No, the first word in their name is not capitalized.
**Yes, the comma is part of the name. Damn hipsters and their typography.
At the last minute, an email from The Stranger alerted me to a Sky Cries Mary gig at Georgetown Records for Record Store Day. SCM, for you out-of-towners, is a big, old psychedelic rock band that formed in Seattle in '88.
The crowd comprised a lot of old, decrepit-looking people. In other words, they were my age, the demographic for SCM fans. There was even one dude in a Trilby who looked as if he might have worn it the first time they were popular. There was free beer, and standing room only.
Sadly, Anisa Romero has left Sky Cries Mary, and I miss her voice. There was a new woman singing, but they didn't bring her mic up enough. Front man Roderick Wolgamott has always needed to Lou Reed his way through vocals. The good news is that songs themselves still sound like Sky Cries Mary, with many nods to their psychedelic previous work, but often with more of a straight-ahead '80s rawk sound, so fair play to them for doing something new (to them). I have their new album, Thieves & Sirens, on a hand made CD and I'm listening to it again now. But if I didn't have a history with SCM, would I start listening to them now because of this material? Wayell, maybe.
Oh by the way, Georgetown Records is vinyl only, which is most annoying for someone like me with no turntable. Damn hipsters. I'd forgotten, though, that it's attached to Fantagraphics books. What It Is by Lynda Barry looked nice, but I didn't feel like schlepping a big hardback for the rest of the night. Segue to...
I went to the Merc for the Front 242 night, but nobody I knew showed up and I didn't feel like crashing anyone else's night. (Yeah, I do that sometimes. In that respect I'm so not Seattle.) Not that much booze, a slice at Sizzle Pie, home at a reasonable hour, and now I'm all perky.
The crowd comprised a lot of old, decrepit-looking people. In other words, they were my age, the demographic for SCM fans. There was even one dude in a Trilby who looked as if he might have worn it the first time they were popular. There was free beer, and standing room only.
Sadly, Anisa Romero has left Sky Cries Mary, and I miss her voice. There was a new woman singing, but they didn't bring her mic up enough. Front man Roderick Wolgamott has always needed to Lou Reed his way through vocals. The good news is that songs themselves still sound like Sky Cries Mary, with many nods to their psychedelic previous work, but often with more of a straight-ahead '80s rawk sound, so fair play to them for doing something new (to them). I have their new album, Thieves & Sirens, on a hand made CD and I'm listening to it again now. But if I didn't have a history with SCM, would I start listening to them now because of this material? Wayell, maybe.
Oh by the way, Georgetown Records is vinyl only, which is most annoying for someone like me with no turntable. Damn hipsters. I'd forgotten, though, that it's attached to Fantagraphics books. What It Is by Lynda Barry looked nice, but I didn't feel like schlepping a big hardback for the rest of the night. Segue to...
I went to the Merc for the Front 242 night, but nobody I knew showed up and I didn't feel like crashing anyone else's night. (Yeah, I do that sometimes. In that respect I'm so not Seattle.) Not that much booze, a slice at Sizzle Pie, home at a reasonable hour, and now I'm all perky.
Nun makes the bleeps.
Jan. 31st, 2018 01:13 pmI got the intro SKU of Ableton about a year ago, plus a little, used MIDI keyboard, intending to - wait for it - make music. I did some introductory stuff, and a year went by, a year of feeling guilt and shame at all the creative projects other people were doing.
No more. I'm well into putting something together, and I'd like to take it to Diesel Bleeper, who by the way has released something of her own.
But as you'd imagine, that intro SKU is pretty crippled, and to do real stuff without tormenting yourself you need more cash. I should have some coming from the gummint soon.
No more. I'm well into putting something together, and I'd like to take it to Diesel Bleeper, who by the way has released something of her own.
But as you'd imagine, that intro SKU is pretty crippled, and to do real stuff without tormenting yourself you need more cash. I should have some coming from the gummint soon.
birthday playlist
Jan. 28th, 2018 07:50 pmBecause you didn't ask for it, here's my birthday party playlist, in order:
Exported directly from Traktor, no less! It gets ravier, less Goth, and more smartassed towards the end.
Your mission, should you choose to accept it, is to guess which songs I added to my library specifically for this party to appease the Elder Goths.
Title | Artist |
---|---|
Dark And Long (Dark Train) | Underworld |
Panic | The Smiths |
Halcyon + On + On | Orbital |
This Corrosion | The Sisters of Mercy |
Far Away | Cut Copy |
Everyday Is Halloween | Ministry |
Lose Yourself To Dance | Daft Punk |
Nemesis | Shriekback |
Smashing the Opponent (feat. Jonathan Davis) | Infected Mushroom |
Bizarre Love Triangle [Shep Pettibone Remix] | New Order |
Night and Day | Hot Chip |
Send Me an Angel | Real Life |
God Is God | Juno Reactor |
I'm Your Brother | Round One |
Press Enter To Exit | The Horrors |
1999 | Prince |
Military Fashion Show | And One |
Dawn// Night | Zeigeist |
Shut Me Up | Mindless Self Indulgence |
Cowgirl | Underworld |
Enjoy the Silence | Depeche Mode |
Harvest Moon | Poolside |
This World | Clan Of Xymox |
Listen (John Digweed mix, Nunly edit) | Raff 'n' Freddy |
Stigmata | Ministry |
Bits & Pieces | Junior Boys |
Not In Love ft. Robert Smith | Crystal Castles |
Genius Of Love (Album Version) | Tom Tom Club |
Dominion / Mother Russia | The Sisters of Mercy |
Into the Trees (Serenetti, Pt. 3) | Trentemøller |
Behind The Wheel | Depeche Mode |
Deeper | Rabbit In the Moon |
Cities In Dust | Siouxsie And The Banshees |
We Are Explorers | Cut Copy |
Headhunter V3.0 | Front 242 |
Tour De France | Kraftwerk |
Dead Stars (version) | Covenant |
Aura | Bicep |
Kingdom | VNV Nation |
Super Freak | Rick James |
Sex, Money, Freaks | Cabaret Voltaire |
Me Myself And I | De La Soul |
Megalomaniac | KMFDM |
End Of Line | Daft Punk |
Last Train To Lhasa | Banco De Gaia |
Out At The Pictures | Hot Chip |
Twisting | They Might Be Giants |
Victim of Love | Erasure |
Nazi Punks Fuck Off | Dead Kennedys |
Electric Barbarella | Duran Duran |
Never Say Never | Basement Jaxx |
Ooh La La | Goldfrapp |
Mucho Más | Panoptica Orchestra |
Dragula (Hotrod Herman remix) | Rob Zombie |
The Robots (Remix) | Kraftwerk |
Donut (Interpretation) | Booka Shade |
Happy Up Here (Datasette Remix) | Röyksopp |
Star Guitar | The Chemical Brothers |
Welcome To Paradise | Front 242 |
Let's Dance | Rabbit In the Moon |
Comme un enfant | Yelle |
Extreme Ways | Moby |
Unicorn | Basement Jaxx |
flicking your switch | Ladytron |
I got this down | Simian Mobile Disco |
Killer Kat (Bonus Track) | Trentemøller |
Follow It Up | Project Pablo |
Mi linda | Los Amigos Invisibles |
Slide In | Goldfrapp |
Work | The 2 Bears |
Breathe In | Sky Cries Mary |
Dancing Queen | ABBA |
Exported directly from Traktor, no less! It gets ravier, less Goth, and more smartassed towards the end.
Your mission, should you choose to accept it, is to guess which songs I added to my library specifically for this party to appease the Elder Goths.
Friday: dinner & rekkids with m'boy. If I don't play Rumors and Aja for him, he won't hear them.
Yesterday: a beautiful day of little projects I'd been putting off, mainly for beautification.
*Fun fact: I believe that
cupcake_goth and I were at the same Soundgarden show at Bumbershoot in 1990, more than ten years before we met. I know I went to a Bumbershoot show of theirs in the early '90s; I just can't remember which year.
It's fun to think about what might have happened if I'd met her then, but it's probably best that I didn't, given that I ran headlong away from myself a little more than three years later when I met the future Ex. I can't imagine
cupcake_goth being pleased about that, and besides, she had her own stuff to deal with back then.
Yesterday: a beautiful day of little projects I'd been putting off, mainly for beautification.
- Did all of my nails for the first time in months, in obnoxious pink for spring.
- Re-dyed my much-loved and much-abused "hippy bag", which is an older Coach bag and therefore beautifully designed and made.
- Hit the Hill because I had time to kill and I wanted to pick up a used CD of Soundgarden, again for m'boy. Sure enough, I found a copy of Superunknown*. Or rather, another one; I know I used to have one and I'm not proud to say I must have gotten rid of it at some point.
- Had a couple of beers at the Wildrose and chatted with the cute zaftig blond who tends bar there. We both lamented how unnecessarily dead Seattle is during the winter. I brought up Pride, natch - it's Christmas for the 'Rose - which is bound to have extra meaning given the current political situation. I gently reminded her that we're all in this together.
*Fun fact: I believe that
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It's fun to think about what might have happened if I'd met her then, but it's probably best that I didn't, given that I ran headlong away from myself a little more than three years later when I met the future Ex. I can't imagine
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tunes good and bad
May. 14th, 2017 09:26 amFour days is a long time for me not to post. My excuse? Too much fun.
OK, Thursday night wasn't that fun because I spent it aggravating my carpal tunnel. Believe it or not, that isn't dirty.
But on Friday night, the Tickler & I went to the Upstream music festival, which is basically 300+ musical acts taking over a couple of dozen venues in Seattle's Pioneer Square. (This, by the way, is a canny move by Pioneer Square businesses. This area is one of the sketchiest in town, and can surely use some good publicity.) The festival itself? Worth the ticket price, in my opinion.
Here's the lowdown on the bands we saw:
And on a sad note, the Tickler lost one of her two cats. No more shall I hear gay feline sex of questionable consensuality. The surviving cat is the kinky one, and I gave him many swats just above the base of his tail, which he loves.
Went to see the second Guardians Of the Galaxy with m'boy. I would have skipped it, but Ex saw it without him and he was miffed about that. It's everything it should have been, so if you're into that kind of movie, see it.
Went to
gfish's annual Eurovision party, where alcohol numbs the pain of spectacularly bad attempts at pop music and eye-forky staging. This year did not disappoint. I won't spoil it for you, but the consensus in the room was that Europeans aren't like us. What really makes that party for me is the quality snark from the local audience. If the US ever enters Eurovision, I believe it's our sacred duty to get kicked out by pulling a Devo or NWA.
OK, Thursday night wasn't that fun because I spent it aggravating my carpal tunnel. Believe it or not, that isn't dirty.
But on Friday night, the Tickler & I went to the Upstream music festival, which is basically 300+ musical acts taking over a couple of dozen venues in Seattle's Pioneer Square. (This, by the way, is a canny move by Pioneer Square businesses. This area is one of the sketchiest in town, and can surely use some good publicity.) The festival itself? Worth the ticket price, in my opinion.
Here's the lowdown on the bands we saw:
- Twin River from Vancouver - They were on a stage devoted to Canadian artists. They call themselves "garage pop", and that's pretty much what it is. They pulled me in the door by sounding a lot like Neko Case around '02, but then they got jangly & rocked out, which is fine with me.
- Seattle's own Evening Bell. Their blurb was precious, describing their sound as "psychedelic country noir", but damned if they didn't end up being my favorite new (to me) artist that we saw. Some of you People in Black might enjoy them.
- WIBG at the storied Central Tavern. Their blurb? Unintelligible, which kind of matches their sound: Dead Kennedys meets the Doors meets Led Zeppelin meets, says the Tickler, Mudhoney. We kept listening (with ear plugs) mainly for the WTF factor.
- Hip hop with DJ U No Hu - Not really my thing, but the dance off featuring the Massive Monkeys B-boy crew was definitely the Tickler's thing. (After our exhausted night at her place she insisted that I watch videos of international B-boy competition as we ate her deluxe oatmeal.)
- Astrocolor - Canadian funkateers. Stop laughing. I liked them, and they brought a much-needed queer vibe.
- Dancing to local techno hero Pezzner, about whom I've written many times before. He brought it, and the fabulous view from the stripped-down space on the 18th floor of Seattle's oldest and lovingly preserved skyscraper (completed 1914) was icing. That's how you end a night like that.
And on a sad note, the Tickler lost one of her two cats. No more shall I hear gay feline sex of questionable consensuality. The surviving cat is the kinky one, and I gave him many swats just above the base of his tail, which he loves.
Went to see the second Guardians Of the Galaxy with m'boy. I would have skipped it, but Ex saw it without him and he was miffed about that. It's everything it should have been, so if you're into that kind of movie, see it.
Went to
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My son asked me last night, "Have you ever heard of a musician called Prince?" Clearly I'd neglected his musical education, so I remedied that right away. Oddly enough, I used to be way more into Prince than I am now. I annoyed grad school housemates with how much I played him. He wasn't my culture hero - for that matter, neither was Bowie, as you could reasonably expect - but he brought the Funk to rock like no one else, and that was why I loved him. I gather that he managed that in part though successfully fighting the music industry's racism. What the old white guys running the industry did to Nile Rodgers in the '70s Prince did to them in the '80s. Sweet, funky karma.
Heaven help me. I've paid for OKCupid and gotten back on the horse with dating sites in general. I guess running into M atHot Flash Inferno affected me more than I thought. Sure, I have women I'm dating, but do I have someone I can call when I'm feeling down? No. Am I living alone? Yes, except for the lumpy teenager behind me. Q.E.D.
I suppose that if I do find Ms. Right, the kiddo's living situation is going to get changed again. He may or may not be genuinely thrilled about that. So far it hasn't been as bad as I expected. He'll usually do what he's told, but he must be told, and he often does it wrong. So far he isn't making good use of his quarter off school.
ETA: I gave Inga the big, black Lelo Smart Wand her first serious use last night. The results weren't mind-blowing, but they were the most promising of any vibe I've used to date. In Inga's defense I must say that I quit early due to ick-induced fatigue. Clearly more research is needed.
Heaven help me. I've paid for OKCupid and gotten back on the horse with dating sites in general. I guess running into M at
I suppose that if I do find Ms. Right, the kiddo's living situation is going to get changed again. He may or may not be genuinely thrilled about that. So far it hasn't been as bad as I expected. He'll usually do what he's told, but he must be told, and he often does it wrong. So far he isn't making good use of his quarter off school.
ETA: I gave Inga the big, black Lelo Smart Wand her first serious use last night. The results weren't mind-blowing, but they were the most promising of any vibe I've used to date. In Inga's defense I must say that I quit early due to ick-induced fatigue. Clearly more research is needed.
serendipity in Ballard
Apr. 1st, 2016 11:54 amI punked myself with the Guerrilla Queer Bar night: it's tonight, which I can't make because of m'boy, not last night. So I drank one nice beer in this (of course) hipster joint and walked around my old stomping ground* of Ballard.
I knewEasy Street Sonic Boom Records was there, and as soon as I walked in, I saw something on my to-buy list: Lucius, Good Grief. As soon as I walked out, I saw that Bop Street records had moved across the street. As I drew near, I could hear Underworld's "Two Months Off". Even though all I could see was vinyl - vinyl all the way up to the top of a high ceiling - and I have no turntable, as I said to the dudes behind the counter, "You play Underworld; I walk in your store." I walked out of there with a used CD of Moby's 18 and the business card for a place that sells turntables.
*I lived in Ballard, in the northwest corner of Seattle, from '94 to '98, right before all the old Scandihoovians either died or sold out. The Norwegians may be gone, but their legendarily slow, crazy driving lives on after them. I wonder if you can still hear sea lions barking at night.
I knew
*I lived in Ballard, in the northwest corner of Seattle, from '94 to '98, right before all the old Scandihoovians either died or sold out. The Norwegians may be gone, but their legendarily slow, crazy driving lives on after them. I wonder if you can still hear sea lions barking at night.
OK, the long version: for the party that the Siberian Siren is throwing imminently, she wanted the table that her sweetie AJ assembled in a storage space in a building the SS manages. That means the table was six blocks from her swank new place. Okey doke, so last night the SS borrowed an SUV, and secured the services of a gay dude and me.
The table is tall (AJ, who does most of the cooking, is 6'.), heavy, and non-decomposable. The gay dude & I took one look at the table & SUV together and thought, 'Uh oh.' We gave it the old college try, but there was no getting the table into the car. Luckily, it has wheels. Good, solid steel wheels.
Six blocks of pushing, steering, breaking stuff, and giggling later, the SS & I weren't sore, but we were nearly deaf. Those wheels were loud. It's a good thing Capitol Hill residents expect quiet after 2200.
I promised the SS I'd drink all her booze tonight because a) I earned it last night and b) since the Siren doesn't drink much anyway because she's the Worst Russian Ever.
Unrelated music squee: Of Montreal, the whole Skeletal Lamping LP. Oh. Em. Gee!
The table is tall (AJ, who does most of the cooking, is 6'.), heavy, and non-decomposable. The gay dude & I took one look at the table & SUV together and thought, 'Uh oh.' We gave it the old college try, but there was no getting the table into the car. Luckily, it has wheels. Good, solid steel wheels.
Six blocks of pushing, steering, breaking stuff, and giggling later, the SS & I weren't sore, but we were nearly deaf. Those wheels were loud. It's a good thing Capitol Hill residents expect quiet after 2200.
I promised the SS I'd drink all her booze tonight because a) I earned it last night and b) since the Siren doesn't drink much anyway because she's the Worst Russian Ever.
Unrelated music squee: Of Montreal, the whole Skeletal Lamping LP. Oh. Em. Gee!
From the Dept. of Time Travel
Oct. 25th, 2015 08:08 pmBut first: I didn't make it to the waterfront Ferris wheel with m'boy. The weather was acting questionable, and I asked him if he still wanted to go, and he said no. So of course it got sunny. Two weeks from now, without fail.
I did, however, make it - late - to Sky Cries Mary at Neumo's this afternoon. For you non-locals, Sky Cries Mary was a Seattle band active from the late '80s until early this century. They reunited for the weekend, complete with crew & visuals guy, to play a benefit for a band member with cancer. I've been a fan since I heard them on KEXP (then KCMU) in the early '90s, and I've seen them live at least three times in the past. The best I could describe SCM's sound is psychedelic rock.
In brief: they've still got it. Front woman Anisa Romero has aged enviably both vocally & visually, and her hubby Roderick Wolgamott, well, still can't carry a tune in a washtub, but I gather he was quite a songwriter. Roderick wore a Norwegian flag tie and braids with his full beard, in the best Seattle hippie tradition.
Being Sunday afternoon, this was an all-ages show. There were some actual honest-to-goodness children there, but I'm pretty sure the median age in the SRO crowd was in the low to mid 40s.
I'd forgotten how big that band is: the number of people on stage was usually seven, but it ranged from three to nine, and included the recipient of the benefit.
It kills me a little that I a) showed up late from dropping m'boy off at home* and b) had to leave early for zappy. I might not have been so late if I hadn't stayed awake too late pursuing an MBSO unsuccessfully. They sounded terrific, and I could feel the love in the room. And I did get to hear a lot of my faves, fifteen feet from the stage. Aw, yeah.
I hope they never play Seattle again for the reason that they did. But if they were to show up again, especially with new material, I'd be very there, not that I think it's likely.
*Of course I offered to buy him a ticket and of course he said no. Neither crowds nor amplifiers are his thing.
I did, however, make it - late - to Sky Cries Mary at Neumo's this afternoon. For you non-locals, Sky Cries Mary was a Seattle band active from the late '80s until early this century. They reunited for the weekend, complete with crew & visuals guy, to play a benefit for a band member with cancer. I've been a fan since I heard them on KEXP (then KCMU) in the early '90s, and I've seen them live at least three times in the past. The best I could describe SCM's sound is psychedelic rock.
In brief: they've still got it. Front woman Anisa Romero has aged enviably both vocally & visually, and her hubby Roderick Wolgamott, well, still can't carry a tune in a washtub, but I gather he was quite a songwriter. Roderick wore a Norwegian flag tie and braids with his full beard, in the best Seattle hippie tradition.
Being Sunday afternoon, this was an all-ages show. There were some actual honest-to-goodness children there, but I'm pretty sure the median age in the SRO crowd was in the low to mid 40s.
I'd forgotten how big that band is: the number of people on stage was usually seven, but it ranged from three to nine, and included the recipient of the benefit.
It kills me a little that I a) showed up late from dropping m'boy off at home* and b) had to leave early for zappy. I might not have been so late if I hadn't stayed awake too late pursuing an MBSO unsuccessfully. They sounded terrific, and I could feel the love in the room. And I did get to hear a lot of my faves, fifteen feet from the stage. Aw, yeah.
I hope they never play Seattle again for the reason that they did. But if they were to show up again, especially with new material, I'd be very there, not that I think it's likely.
*Of course I offered to buy him a ticket and of course he said no. Neither crowds nor amplifiers are his thing.